Tengami symbols around shrine
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Yeah, most popular music tends to be pretty lacklustre as I’m sure you know, but I live for those few songs every generation that really hit the nail on the head and do something great. I hated being there, and just wanted to go home and play games with friends, you know? So you didn’t have much experience with pop music either? Yeah, I was in that camp too. I also didn’t really like school much either. I didn’t really know any pop music, in part because my family was very heavily Christian and Christian music was all we really listened to. I was just kind of a sheltered child, so that’s really why I just latched onto the Donkey Kong Country series.
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Still, I guess you never played an instrument or joined a band while in school? Yeah, that’s always the way when you’re starting out.
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I’d just show people these terrible things I’d made, and wouldn’t care that they were terrible. I didn’t really know what a scale was, I didn’t really know much of anything so the toughest thing was getting everything to sound good.īecause you know, when you’re a kid you don’t care/remember what was hard and what wasn’t, and you’re all just like “I’m doing this thing”. īut I guess it was just learning to get a grasp on how the notes worked together you know. So given you’re self taught, what was the hardest part about learning to create music? I started off making remixes of the songs from the Donkey Kong Country games, and went from there.Įither way, I then went off to study film at university (not music, since I was already teaching myself and wanted something different), then moved to New Orleans where I started the project. You know, that kid who’s obsessed with that one thing.Įventually downloaded FL Studio (which is a piece of music production software) for my laptop since there wasn’t much to do out here in the country, and began teaching myself music from there. So I really latched on to that, including the music and everything, and ended up being that kid who was obsessed with it. I grew up in the middle of nowhere in Louisiana USA and the Donkey Kong Country games were some of the few games I had as a kid.
#Tengami symbols around shrine series#
So in today’s interview, we’re gonna talk to him about them, see how he remasters said songs, and learn for ourselves exactly what’s involved in reworking such an amazing series of soundtracks! Starting with a bit of personal background. From Fear Factory to Krook’s March, Bayou Boogie to Cavern Caprice, he’s covered and redone dozens of the series’ songs over the years, all of which sound incredible to listen to as a result. Or this amazing near perfect quality rendition of the Stickerbrush Symphony tune:Īnd that’s just the start. Such as this high quality version of the Gangplank Galleon theme: Known as Jammin’ Sam Miller on YouTube, he’s been hard at working remastering the Donkey Kong Country series soundtracks for years now, and has posted all manner of fantastic reworks of the same on his channel. Thanks to the SNES’ console limitations, the samples used had to be compressed to fit the ROM space available, and thanks to Nintendo’s reluctance to release video game soundtracks to the public, higher quality versions weren’t exactly easy to come by.įortunately, that’s where today’s interviewee comes in. However, listening to these songs at their original quality level is not exactly an easy task. Indeed, thanks to the hard work of people like David Wise, Robin Beanland and Eveline Novakovic, the games have been the source of all manner of beloved songs, including Stickerbrush Symphony, the DK Island Swing and Fear Factory, among many others. As anyone who grew up in the SNES era likely knows, the Donkey Kong Country games have some of the best video game music of all time.
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